Count Kush, the Southern Colorado-based "pot-pop" producer and artist, has recently unleashed his full-length assault on the senses with the eighteen-track album, 'Light Taker'. Known for a potent concoction of Dark Trap, Lo-Fi, and Hyper Pop, all laced with street culture narratives, Kush carves out a niche that's as infectious as it is innovative.
An album that showcases Count Kush’s ability to take familiar hip-hop elements and twist them into something entirely his own, ‘Light Taker’ is a maelstrom of styles infused with a distinct THC twist. The album kicks off with a bang; tracks like 'All New Me' captivate with a light piano melody that undercuts his verse, while ‘Proton Smasher' is a tour de force of bold beats and rapid-fire, alliterative lyricism that demands attention.
The collaborative spirit on 'Light Taker' adds another powerful element, with features from artists like eddison, 5esitsh, Rondezgreenmage, 4syte, and Janecountindoe woven into the album’s fabric. It’s a trick that amplifies Count Kush's sound, especially on tracks like 'Like This!' and 'Designer Drugs'. The collaborative sound is undeniable, with each artist adding their moment to an already stacked collection of sounds.
Elsewhere, creativity and ingenuity shine on cuts like 'Jump!' and 'Stay Hoppin’'. Oscillating beats and electronic overlays create a vibrant, almost chaotic energy that is undeniably captivating. Yet, Count Kush isn't afraid to pull back, as seen on the more melodic and lingering 'Don’t Get Close' and 'Medicine (Poison)'. Showcasing a surprising depth and willingness to explore different emotional territories, these tracks are an impressive mark of diversity amount the album.
'Light Taker' is a whirlwind of fresh ideas that hits hard from start to finish, rarely letting up. It’s an auditory journey that pushes boundaries, solidifying Count Kush’s position as an artist to watch in the ever-evolving landscape of modern hip-hop.
For more from Count Kush, be sure to head to his website, or give him a follow on Instagram and X.
